| 번호 | 대회 (Time) |
분과 (Session) |
제목 (Title) |
발표자 (Speaker) |
|---|---|---|---|---|
| 1315 | 11th | Panel 19 |
The Inter-industrial Relationship between the Webtoon Industry and the K-Drama Industry |
노현정 Hyun Jung Stephany Noh |
| 1314 | 11th | Panel 19 |
Deconstructing Soft Power: Audience Readings of Hallyu |
제나깁슨 Jenna Gibson, 페리치아 이스타드 Felicia Istad |
| 1313 | 11th | Panel 19 |
Inspiring Global Popular Culture: A Rhetorical Analysis of BTS’s Invitational Rhetoric and ARMY’s Transcultural Fandom Practices |
칸다스 로버트슨 Candace Epps-Robertson |
| 1312 | 11th | Panel 19 |
Sharing Korea(n) online: Hallyu fans and online tutoring platforms |
나다니엘 밍 쿠란 Nathaniel Ming Curran |
| 1311 | 11th | Panel 18 |
Landing of Korean Webtoon in Germany |
안연선 Yonson Ahn |
| 1310 | 11th | Panel 18 |
K-Pop, Fandom, and Sense of Belonging among New Zealand Youth and Community Building in Auckland, Aotearoa-New Zealand |
구선희 Sunhee Koo |
| 1309 | 11th | Panel 18 |
Hallyu (Korean Wave) and Korean Restaurant Businesses in Germany |
김지혜 Jihye Kim |
| 1308 | 11th | Panel 17 |
Religious sounds in K-Drama: How the Wooden Fish makes violence in Vincenzo (2021) bearable |
바바라 왈 Barbara Wall |
| 1307 | 11th | Panel 17 |
Promotion with Pansori: Rapid Rhythms and Looped Lyrics in Leenalchi’s Online Ads |
이안 코이츤베악 Jan Creutzenberg |
| 1306 | 11th | Panel 17 |
Rethinking Music in the Metaverse: The Sound of the Mise en Abyme in Aespa’s Songs |
계희승 Hee Seng Kye |
