|
671
|
24-1
|
[Special Feature] Ceramic Culture of Goryeo |
LEE Kang Hahn |
2021-06 |
|
|
670
|
24-1
|
Perception of Goryeo Celadon in the Context of the Late Joseon Period |
JANG Namwon |
2021-06 |
|
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669
|
24-1
|
Plantain Designs on Goryeo Celadon, How They Developed, and What They Meant |
LEE Jun-kwang |
2021-06 |
|
|
668
|
24-1
|
The Emergence and Iconography of Seosu (Auspicious Beasts) in the Twelfth-century Goryeo Celadon |
KIM Yunjueong |
2021-06 |
|
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667
|
24-1
|
The Origin and Symbolic Meanings: of the Designs on the 12th century Goryeo Celadon Roof Tiles |
CHO Eun Jung |
2021-06 |
|
|
666
|
24-1
|
Utilization of Earthenware Pottery for Food Storage in the Goryeo Period |
HAN HyeSun |
2021-06 |
|
|
665
|
24-1
|
[Articles] The Tang-Song Poetry Debate in Joseon |
Christina HAN |
2021-06 |
|
|
664
|
24-1
|
Political Reconciliation through the Performing Arts: Selected Activities of Koreans in Early Twentieth-century Hawai‘i |
Heeyoung CHOI |
2021-06 |
|
|
663
|
24-1
|
The Haunted Maiden Deities on Jeju Island |
Hea-Kyoung KOH |
2021-06 |
|
|
662
|
24-1
|
A Study on Trauma Aspects in Cho Se-Hee’s Novels―Focusing on A Small Ball Shot up by A Dwarf and A Thorn Fish Coming into My Net |
Hsui Yung CHANG |
2021-06 |
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