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Korean Traditional Music Encounters the World:
A Digital Project to Spread Culture, with a Focus on the Royal Ancestral Ritual Music of Jongmyo Jeryeak
As interest in Korean language education and Korean culture steadily increases across the globe, there is a growing need for “immersive cultural education” that goes beyond simple language acquisition. In particular, intangible cultural heritage, like traditional music, plays a key role in shaping Korea’s history and identity, with music, unlike language, working as an intuitive means of communication that transcends national borders. In this context, this project aims to effectively introduce Korean traditional culture to the world by developing digital content, establishing a mobile app, and offering workshops at music education institutions in France on the topic of the royal ancestral ritual music performed at Jongmyo Jeryeak, a UNESCO Intangible Cultural Heritage.
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The Development of Digital Education ContentThe first stage of the project was the creation of video content that could easily convey the historical, cultural, and musical value of Jongmyo Jeryeak. The videos, made available via YouTube, provide explanations alongside the actual instrument performance and aim to conveying the form and significance of the ritual music, which can easily seem complicated, in a friendly and immersive way. The content was designed with a broad target audience in mind, including both children and adult students, as well as educators. These videos have been utilized in classes for music educators in France.The Expandability of Mobile ApplicationsTo supplement the video content and support students’ self-study, a mobile app especially for the project was also developed. The app, which contains interpretations of the musical pieces and introductions to the instruments of Jongmyo Jeryeak, is organized so that users can browse and study the content themselves. In particular, the app’s development was led by one of the project’s principle investigators, Park Su-hui, who is a certified practitioner of Jongmyo jeryeak. Through this, we have set up a system that allows cultural heritage experts to continually lead the updates and maintenance of the content. |
Personalized Local Workshops and Educational Training
One of the projects’ key elements are practical workshops that go beyond theory-based study. A workshop was held at the Conservatoire d’Antibes in southern France, in which students and educators were given the opportunity to play simple melodies of the ritual music on Korean traditional instruments. Beyond a simple instrument experience, the workshop allowed participants to directly feel the Confucian values within the music, the symbolism of the ritual ceremonies, and the artistic identity of Korea. Thus, the workshop can be considered not merely a music class, but rather a “transplantation of cultural sensibility.”