|
3959
|
60-3
|
Political Implications of Court Art Under King Jeongjo: Aesthetics and Production of King Jeongjo’s Visit to Hwaseong |
Jaebin YOO |
2020-09 |
|
|
3958
|
60-3
|
Mun Ye-bong, a Partisan Maiden in a “Partisan State” |
Yun-Jong LEE |
2020-09 |
|
|
3957
|
60-3
|
Subculture of Young Korean Women: Seen through Independent Women’s Magazines |
Joo-eun LEE |
2020-09 |
|
|
3956
|
60-3
|
The Detective Appears: Rethinking the Origin of Modern Detective Fiction in Korean Literary History |
Sohyeon PARK |
2020-09 |
|
|
3955
|
60-3
|
On 1987: South Korean Cinema in the Era of Re-democratization |
Hieyoon KIM |
2020-09 |
|
|
3954
|
60-3
|
The Flow of the Masses and the Candlelight Demonstrations in South Korea |
YI-Jinkyung |
2020-09 |
|
|
3953
|
60-3
|
Forging Workers of Iron: The Politics of Memory and the Performance of Revolutionary Promise |
Jong Bum KWON |
2020-09 |
|
|
3952
|
60-3
|
History of Transborder Minorities and Their Invisibility |
Won KIM |
2020-09 |
|
|
3951
|
60-3
|
South Korea’s April Revolution through the Lens of West Germany |
Hannes B. MOSLER |
2020-09 |
|
|
3950
|
60-3
|
The Korean Student Movement and Ideological Circles from the 1960s to 1980s |
Jun KIM |
2020-09 |
|
